I don’t want any preconceived or prefabricated ideas or mindsets and even less so any lack of preconceived or prefabricated ideas or mindsets, but rather for you to put your hand in your hole-filled pocket and each time to take out a different microcosm but always with the same idea of finding it lush, abundant in a thousand and one ways, and with cypresses, ravines, birds, like nature, with smells, with earthquakes, with a huge indecipherable question mark in the middle, between the legs, like dogs, like nature, like the fuzzy tip of chestnuts rolling on the ground when their time comes in a few months.
July 2013
[Nus la Flor, Enric Casasses 2018]
I have been lucky enough to explore highly lush and always different universes of theatre creation, with directors like Ramon Simó, Àlex Rigola, Israel Solà, Albert Roig, Carol López, Juan Carlos Martel, Anna Estrada, Jordi Prat i Coll, Josep Maria Mestres, Magda Puyo, Rafel Duran, Toni Casares, Xicu Masó, Mario Gas or Sven-Erik Bechtolf.
Combining the profession of scenographer with teaching is a way of travelling through the vast field between intuition and reflection that opens up to us, and exploring languages that establish a lively communication with today’s audience.
